Tony ([info]quikchange) wrote,
@ 2006-08-20 09:05:00
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Current mood: artistic
Current music:The Wanderer - U2
Entry tags:psychology, review

Don Juan & human nature
Stanford Theatre is trying something new this summer: pay-what-want productions. Last week [info]ayanosuke and I tried to attend one. All seats had been reserved by the time we called them (an hour before the performance began) but they start handing out unclaimed tickets to people on the wait-list a few minutes before the play starts. We added ourselves to the wait-list and hung around as tickets were dished out. Many people who were on the wait-list had not actually stuck around to claim their tickets so we were hoping that we would be able to get in. Most annoyingly, they ran out immediately before our turns came up.

Realizing that reservations were free and that they had a good system for dealing with unclaimed reservations, I decided it would be foolhardy not to make reservations for the next performance, even if I ended up being unable to attend it. So I reserved 4 seats and only ended up claiming 2 of them to watch last night's production of Don Juan. I can't understand why more people don't exploit the system this way!

The play itself, whose plot is roughly explained here, was entertaining for the most part and I quite enjoyed some of Don Juan's witty and eloquent speeches. I thought the costumes and set design were done well too. The acting was variable; while most of the main characters were played extremely well, a couple of the supporting roles stumbled now and then.The only major flaw was the ending, which was decidedly anticlimactic and left me feeling unsatisfied.



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[info]shade_42
2006-08-22 05:56 pm UTC (link)
Anticlimatic? Dude, he gets sent to Hades.

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[info]quikchange
2006-08-22 06:04 pm UTC (link)
I know. But the depiction just isn't visceral enough to make the viewer perceive that justice has been served.

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[info]shade_42
2006-08-23 09:36 pm UTC (link)
Wow, I saw it in French as a highschool field trip and I thought the ending was quite strong. He was screaming for forgiveness as he was lowered into hell (a trapdoor in the floor with billowing smoke and dancing firelight).

I thought it was great, but to each their own.

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[info]quikchange
2006-08-23 09:39 pm UTC (link)
They didn't enact it that well in this production. Instead of a trapdoor and smoke, he just collapses on the floor groaning when the statue shakes his hand.

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[info]shade_42
2006-08-23 09:40 pm UTC (link)
Ah. Yeah. Not as good that.

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[info]grosskur
2006-08-23 04:02 am UTC (link)

Reservation systems for popular free events are tricky. It's almost better for the organizers to charge a small reservation fee to discourage people from reserving tons of seats that they won't use. Then again, in this case it seemed like they had more than enough people on standby to fill the unclaimed reservations.

One approach I've seen is for organizers to hold back a small percentage of the tickets to be claimed in-person on the day of the event. This means that people who really want to attend but were unable to reserve ahead of time can still get in, provided they are willing to line up early enough. I know someone who followed Pearl Jam around on their US tour a couple of years back and was able to consistently get tickets on the day of the show because the band had this kind of policy. Maybe this works better for pay-events, though, where almost everyone who reserved is guaranteed to show up.

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[info]shade_42
2006-08-23 09:42 pm UTC (link)
Pearl Jam did a lot of things with their tickets that were unconventional. Remember their fighting with Ticketmaster in the nineties when they objected to how expensive the tickets were? Pity I liked their populist approach more than their music...

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